Does psychology undermine morality? The question is broad. The book on the subject is short. Pundit Mona Charen reviews it in National Review (April 20, 2015). She says, Yes. As a reflection of the research and outreach conducted by this foundation, since 1924, my different view follows…. Regarding Mona Charen’s review of Admirable Evasions: How Psychology […]By: Evander Lomke
I have had the opportunity to view an extraordinary documentary entitled Kings Park. Here is what Oliver Sacks has to say: “A brave, compelling look at the life of a state mental hospital and those whose lives it has touched. Lucy Winer has thought long and hard about the subject, and brings to her film […]By: Evander Lomke
This is the final blog in the AMHF series of twenty-one films relating to “Hollywood and Psychiatry.” These blogs have taken us from ca. 1921, and the release of silent classic The Cabinet of Dr. Caligari, a mere three years before The American Mental Health Foundation was organized, into the twenty-first century. The first blog […]By: Evander Lomke
This is film number twenty of twenty-one in the AMHF series, focusing on a range of Hollywood depictions of psychiatry, analysts, and individuals under analysis, from the silent era to the present. (The final film for discussion, an updated version of The Bell Jar, will be included as a kind of “what may be” assuming […]By: Evander Lomke
Counting all ten films in the Crime Doctors series as one, this is the nineteenth of twenty-one Hollywood films, from AMHF, devoted to images of psychiatry, psychiatrists, and psychology. These (basically) one-hour films are in a time-honored, formulaic tradition. As comic-book writers fashioned superheroes with separate, mundane identities, so, a little closer to the workings […]By: Evander Lomke
This is the first weekend showing of a movie that filmgoers and literary lions alike have been waiting for: The Great Gatsby. Everyone and everything is enmeshed. There are affairs. Grand parties throw people who would not normally meet each other together. The excesses of the Jazz Age coexist with the growing economic conditions that […]By: William Van Ornum, Ph.D.
Once known as Multiple Personality Disorder (MPD), Dissociative Identity Disorder (DID) is the subject of film number eighteen of twenty-one in the AMHF series on psychiatry in Hollywood. The Three Faces of Eve covers a most controversial disorder—often outright debunked as the current (as of this writing) DSM-4 had made significant changes to the diagnosis. […]By: Evander Lomke
Do you find the concept of a dreaming phrenologist at all funny? I didn’t think so. Once upon a time, psychoanalysis was viewed as nothing but a shabby cousin of phrenology. Freud and his followers changed all this, even though the tired gags of the usually brilliant Woody Allen might leave one to believe otherwise. […]By: Evander Lomke
Do you know what acrophobia is? The 1950s, like the 1940s, was a rich era for Hollywood depictions of “psychological problems” and themes—especially around words, terms, and concepts not generally known to audiences as such are today: in part, though we often do not realize it, thanks to the very movies we are putting “on […]By: Evander Lomke
This is the fifteenth movie in the AMHF series of twenty-one. Rain Man won four Academy Awards at the sixty-first Oscars show: Best Picture, Original Screenplay, Director, and Actor—Dustin Hoffman’s second in a remarkable performance. The film revolves around the relationship between a younger, self-centered brother, likewise played to perfection by Tom Cruise, an inheritance, […]By: Evander Lomke
Several weeks ago Evander, as part of the series of films on mental health, posted a review of Fear Strikes Out. This unique story–coming out mid-point in outfielder Jimmy Piersall’s career—highlights Piersall’s emotional problems and strange behaviors: talking to Babe Ruth’s statue in the Yankee Stadium outfield, squirting home plate with a water pistol so […]By: William Van Ornum, Ph.D.
Where does the study of neurology leave off and that of psychiatry and psychology begin? (After all, Sigmund Freud was a neurologist.) Do we understand the intermingling of memory and time? What is “real” and what is “perceived”? What are some of the challenges of the aging consciousness? Here is film number fourteen, “analyzed” in […]By: Evander Lomke
This is the thirteenth of twenty-one films in the series on psychiatry in film. The plot summary is provided by Judd Blaise Rovi. New Zealand poet Janet Frame is the subject of Jane Campion’s biographical drama, which presents a poetically evocative look at the author’s turbulent life. The film begins with Frame’s childhood, showing her […]By: Evander Lomke
Have you ever felt that you were in hell? As the word pandemonium derives from John Milton’s Satan and his crew in Paradise Lost—in The Screwtape Letters C. S. Lewis refers to the environment/condition as “The Kingdom of Noise” (“the mind is its own place, and can make a heaven of hell and a hell […]By: Evander Lomke
“Where’s the rest of me?” Ronald Reagan implores, having had legs amputated. Former President Reagan even used this famous line as the title of a 1960s memoir. Goethe essentially asks the same question in his 1773-74 Goetz von Berlichingen; or, the Man with the Iron Hand. Are we our legs? Our arms? Our faces? Even […]By: Evander Lomke
I feel unusually close to The Snake Pit, personally, if not intimately and daily, working with one of the writers, Millen Brand, during my early days in book publishing. This, the tenth film out of twenty-one in the AMHF series, required significant research from the filmmakers in adapting an autobiographical novel by Jane Ward. The […]By: Evander Lomke
Movie number nine in the American Mental Health Foundation series of twenty-one relating to its mission stars (Anthony Perkins who would famously make a career of playing disturbed individuals: for example in Psycho) and the superbly versatile Karl Malden as his unreasonably domineering father (reminiscent of Bette Davis’s mother from Now, Voyager). The film is […]By: Evander Lomke
A new documentary film presents the emotional health history of a famous American family of artists—the Hemingways—according to CNN, whose sources we quote. This film, Running from Crazy, premiered last week at the Sundance Film Festival. Oprah Winfrey is executive producer. “‘Suicide has no rhyme or reason,’ [Mariel] Hemingway said. ‘Some people, it’s 20 dark […]By: William Van Ornum, Ph.D.
The Cabinet of Dr. Caligari is the eighth of twenty-one films discussed in this blog. It is the earliest movie and the only silent one. It works by flashback and is a vivid visual re-creation of intensely scrambled mental states. The story line, somewhat condensed from Wikipedia, is as follows: The main narrative is introduced […]By: Evander Lomke
This is the seventh film under under close scrutiny in the AMHF series of films. (We “analyze” other movies in different blogs. But not all are come within this series of, eventually, twenty-one.) Alfred Hitchcock had worked under David O. Selznick five years before, directing Rebecca. The association of two such egos was more a […]By: Evander Lomke